Deconstructing Ethical Values and Social Meanings in Traditional Cupak Gerantang Theater: Implications for Cultural Education

Authors

  • Muhammad Shofian Asshauri Universitas Negeri Yogyakarta, Indonesia
  • Kuswarsantyo Kuswarsantyo Universitas Negeri Yogyakarta, Indonesia
  • Galang Mario Universitas Negeri Yogyakarta, Indonesia
  • Edi Sukmojati Universitas Negeri Yogyakarta, Indonesia

DOI:

https://doi.org/10.51278/bse.v6i2.1195

Keywords:

Cupak Gerantang, Deconstruction, Ethical Values, Social Meaning, Cultural Education

Abstract

This study examines how ethical values and social meanings are constructed in the traditional Cupak Gerantang theater of Sasak culture and how the conventional opposition between Cupak as bad and Gerantang as good can be critically reinterpreted. A qualitative descriptive-interpretive approach within a critical paradigm was employed. The study was conducted at Taman Budaya Nusa Tenggara Barat, Mataram, during May-July 2026. Data were obtained through observation, semi-structured in-depth interviews with two purposively selected cultural informants, and documentation consisting of performance materials, photographs, and dialogue-related records. Data credibility was strengthened through source and technique triangulation. Analysis combined Spradley-oriented cultural analysis with close reading and close viewing informed by Jacques Derrida’s deconstruction and Stuart Hall’s representation theory. The findings show that the performance constructs honesty, responsibility, justice, social concern, solidarity, cooperation, respect, patience, and wisdom through character behavior, conflict, relationships, and narrative consequences. The deconstructive reading further demonstrates that Cupak and Gerantang acquire meaning relationally: Cupak is not exhausted by the category of evil but also signifies ambition, jealousy, self-interest, insecurity, and the desire for recognition, while Gerantang represents ethical ideals that require patience, sacrifice, responsibility, and perseverance. The study argues that this reinterpretation does not erase the traditional moral lesson; rather, it expands the performance into a culturally grounded resource for ethical reasoning, cultural literacy, and critical learning. The educational implications are conceptual and contextual, not claims of experimentally tested learning effects

References

Aminuddin, A., Herdiani, E., & Dwimarwati, R. (2022). Identitas Mamanda Banjarmasin dalam sejarah teater tradisional di Kalimantan Selatan (1970–2022). PANTUN: Jurnal Ilmiah Seni Budaya, 7(2). https://doi.org/10.26742/pantun.v7i2.2222

Chen, Z., Suntikul, W., & King, B. (2020). Constructing an intangible cultural heritage experiencescape: The case of the Feast of the Drunken Dragon (Macau). Tourism Management Perspectives, 34, 100659. https://doi.org/10.1016/j.tmp.2020.100659

Chung, F. M.-Y. (2022). Safeguarding traditional theatre amid trauma: Career shock among cultural heritage professionals in Cantonese opera. International Journal of Heritage Studies, 28(10), 1091–1106. https://doi.org/10.1080/13527258.2022.2131878

Creswell, J. W., & Creswell, J. D. (2018). Research design: Qualitative, quantitative, and mixed methods approaches (5th ed.). SAGE Publications. https://www.sagepub.com/shop/buy-a-book/research-design-5-255675

Derrida, J. (1976). Of grammatology (G. C. Spivak, Trans.). Johns Hopkins University Press. https://www.press.jhu.edu/books/title/54347/grammatology

Fajri, S. R., Hajiriah, T. L., Fitriani, H., Sriartha, I. P., & Mudana, I. W. (2024). Analysis of the potential values of character education in the Independent Curriculum on traditional arts typical of the Sasak tribe of Lombok ‘Peresean’. Jurnal Kependidikan, 10(1), 405–415. https://doi.org/10.33394/jk.v10i1.9796

Garcia-Lazo, V. (2024). The potential of visual arts education: Strengthening pre-service primary teachers’ cultural identity. International Journal of Art & Design Education. https://doi.org/10.1111/jade.12499

Goldstein, T. R., Young, D. L., & Thompson, B. N. (2020). It’s all critical: Acting teachers’ beliefs about theater classes. Frontiers in Psychology, 11, 775. https://doi.org/10.3389/fpsyg.2020.00775

Good, A., Sims, L., Clarke, K., & Russo, F. A. (2021). Indigenous youth reconnect with cultural identity: The evaluation of a community- and school-based traditional music program. Journal of Community Psychology, 49(2), 588–604. https://doi.org/10.1002/jcop.22481

Hall, S. (2013). Representation: Cultural representations and signifying practices (2nd ed.). SAGE Publications. https://books.google.com/books?id=DLicKQEACAAJ

Harnett, S., Edgar, S., Lashley, Y., & Gawlowski-Pratt, M. (2026). Artistic SEL core practices and processes: Practical implications from teaching artist professional learning. Social and Emotional Learning: Research, Practice, and Policy, 8, 100204. https://doi.org/10.1016/j.sel.2026.100204

Honda, Y., Kohno, A., Habu, H., Honda, S., Noguchi, T., Koga, C., Hiramatsu, M., Okuzono, S. S., Sakurai, H., Ohsuga, M., Lunar, F. R., Tun, T., Luo, Y., & Kondo, N. (2026). Traditional arts and events for mental and social well-being: A scoping review framed by intangible cultural heritage. The Lancet Regional Health – Western Pacific, 67, 101789. https://doi.org/10.1016/j.lanwpc.2025.101789

Istvandity, L. (2021). Creative heritage: An approach for research and practice integrating heritage and the performing arts. International Journal of Heritage Studies, 27(11), 1149–1162. https://doi.org/10.1080/13527258.2021.1958364

Juntunen, M.-L., & Partti, H. (2022). Towards transformative global citizenship through interdisciplinary arts education. International Journal of Education & the Arts, 23(13). https://doi.org/10.26209/ijea23n13

Kim, S., Im, D.-u., Lee, J., & Choi, H. (2019). Utility of digital technologies for the sustainability of intangible cultural heritage (ICH) in Korea. Sustainability, 11(21), 6117. https://doi.org/10.3390/su11216117

Koentjaraningrat. (2009). Pengantar ilmu antropologi. Rineka Cipta. https://books.google.com/books?id=Qhi6ZwEACAAJ

Lan, T., Zheng, Z., Tian, D., Zhang, R., Law, R., & Zhang, M. (2021). Resident-tourist value co-creation in the intangible cultural heritage tourism context: The role of residents’ perception of tourism development and emotional solidarity. Sustainability, 13(3), 1369. https://doi.org/10.3390/su13031369

Lau, C.-Y. (2019). Towards good practice in community-based arts education in Hong Kong. International Journal of Art & Design Education, 38(1), 60–72. https://doi.org/10.1111/jade.12174

Li, J., & Zheng, Z. (2025). DianTea: An augmented performance VR system for enhancing Chinese youth learning about tea-making as an intangible cultural heritage. International Journal of Human-Computer Studies, 203, 103579. https://doi.org/10.1016/j.ijhcs.2025.103579

Lanjari, R., Kusumastuti, E., Hartono, & Agustina, H. (2025). Factors and actors for strengthening and sustaining performing arts education in Central Java, Indonesia. JATI – Journal of Southeast Asian Studies, 30(2), 195–214. https://doi.org/10.22452/jati.vol30no2.8

Lu, J., Liu, Y., An, L., & Zhang, Y. (2022). The cultural sustainability in English as foreign language textbooks: Investigating the cultural representations in English language textbooks in China for senior middle school students. Frontiers in Psychology, 13, 944381. https://doi.org/10.3389/fpsyg.2022.944381

Luo, N., & Lau, C.-Y. (2020). Community-based art education in China: Practices, issues and challenges. International Journal of Art & Design Education, 39(2), 445–460. https://doi.org/10.1111/jade.12287

Luo, Y., & Wang, R. (2026). Research on the acceptance of Chinese traditional music and student cultural identity differences under Chinese and Western music education models. Acta Psychologica, 263, 106249. https://doi.org/10.1016/j.actpsy.2026.106249

Mawardi, T., Dayana Mohd Jufry, F., & Renda, R. (2021). Cupak Gerantang traditional theater: Interpretation of text meaning as effort to strengthen character. International Journal of Creative Industries, 3(8), 87–95. https://doi.org/10.35631/IJCREI.38007

Mawardi, T., Wangi, B. L. G. S., Muharis, M., Dwi Kukuh, L. G. V., & Rahman, B. (2025). Traditional art of Cupak Gerantang: Between cultural preservation and tourism development in West Nusa Tenggara. Jurnal Riset Rumpun Seni, Desain dan Media, 4(2). https://doi.org/10.55606/jurrsendem.v4i2.6988

Miles, M. B., Huberman, A. M., & Saldaña, J. (2014). Qualitative data analysis: A methods sourcebook (3rd ed.). SAGE Publications. https://books.google.com/books?id=3CNrUbTu6CsC

Moleong, L. J. (2021). Metodologi penelitian kualitatif. Remaja Rosdakarya. https://search.worldcat.org/title/1315519110

Puspawati, L. P., & Suastika, I. M. (2021). The play of Cupak Gerantang in wayang kulit and traditional dramas and values in Balinese and Sasak society in Lombok. In Proceedings of the 2nd International Conference on Technology and Educational Science (pp. 252–257). Atlantis Press. https://doi.org/10.2991/assehr.k.210407.248

Power, K. (2021). “Sustainability” and the performing arts: Discourse analytic evidence from Australia. Poetics, 89, 101580. https://doi.org/10.1016/j.poetic.2021.101580

Salam, S. (2020). Promoting cultural identity through arts education: The Indonesian context. In Advances in Social Science, Education and Humanities Research. Atlantis Press. https://doi.org/10.2991/assehr.k.200804.090

Sarup, M. (1993). An introductory guide to post-structuralism and postmodernism. University of Georgia Press. https://ugapress.org/book/9780820315317/an-introductory-guide-to-post-structuralism-and-postmodernism/

Schechner, R. (2013). Performance studies: An introduction (3rd ed.). Routledge. https://search.worldcat.org/title/Performance-studies-%3A-an-introduction/oclc/758983054

Spradley, J. P. (1997). Metode etnografi. Tiara Wacana. https://books.google.com/books?id=ehLGnQAACAAJ

Su, J. (2018). Conceptualising the subjective authenticity of intangible cultural heritage. International Journal of Heritage Studies, 24(9), 919–937. https://doi.org/10.1080/13527258.2018.1428662

Suardana, I. K., & Semadi, Y. P. (2026). Semiotika sosial teks “I Cupak Teken I Gerantang” dengan konsep Tri Hita Karana: Kajian linguistik sistemik fungsional. Humanis, 30(1), 99–111. https://doi.org/10.24843/JH.2026.v30.i01.p07

Tan, S.-K., Tan, S.-H., Kok, Y.-S., & Choon, S.-W. (2018). Sense of place and sustainability of intangible cultural heritage: The case of George Town and Melaka. Tourism Management, 67, 376–387. https://doi.org/10.1016/j.tourman.2018.02.012

Turner, V. (1982). From ritual to theatre: The human seriousness of play. PAJ Publications. https://books.google.com/books?id=zNoOAQAAMAAJ

UNESCO. (2003). Convention for the safeguarding of the intangible cultural heritage. https://ich.unesco.org/en/convention

Wonowidjoyo, M. (2022). Rethinking art education through integrating outdoor learning practices as sites of memory. Journal of Adventure Education and Outdoor Learning, 22(4), 355–384. https://doi.org/10.1080/14729679.2022.2054838

Yang, M., Qi, B., Abd Razak Nurul Nadiah, A. R. N., Onyeka, A. M., & Ng, K. T. (2026). Aligning aesthetic education with learner development: A multi-level framework for intangible cultural heritage integration in higher education. Acta Psychologica, 269, 107438. https://doi.org/10.1016/j.actpsy.2026.107438

Downloads

Published

2026-08-30

How to Cite

Muhammad Shofian Asshauri, Kuswarsantyo, K., Galang Mario, & Edi Sukmojati. (2026). Deconstructing Ethical Values and Social Meanings in Traditional Cupak Gerantang Theater: Implications for Cultural Education. Bulletin of Science Education, 6(2), 105–115. https://doi.org/10.51278/bse.v6i2.1195

Most read articles by the same author(s)

Obs.: This plugin requires at least one statistics/report plugin to be enabled. If your statistics plugins provide more than one metric then please also select a main metric on the admin's site settings page and/or on the journal manager's settings pages.